Outside the Nakodar town, there are two fine Muhammedan tombs situated close together. These are maintained as protected monuments by the Archaeological Departments. One of these tombs was built in A.D.1612 in the beginning of the reign of Jahangir(A..D.1605-1627 A.D.) and the other in 1657 A.D towards the close of the reign of Shah Jahan (1627-1658 A.D.).
The Tomb of Mohammed Momin was erected over the mortal remains of Ustad Muhammed Momin also known as Ustad Ustad Muhammed Husseini alias Hafizak, a tambura player in the service of Khan-I-Khanan, one of the Mavaratnas in the court of Emperor Akbar in AD 1021 (AD 1612). Standing on an octagonal platform and approached by a flight of steps on two sides, it is square from inside and octagonal on outside. Surmounted by a pinnacle, the hemispherical dome sits over a low cylindrical drum and is relieved by four cupolas. Each of the longer face is pierced by deep recesses while the shorter by half octagonal recesses placed one over the other, all covered by pointed arches. The entrances are on the northern and southern recesses while the other recesses are blocked with pierced tracery screens. The middle portions of the panels on the exterior and the arch spandrels are decorated with geometric design in glazed tile work. The upper and lower panel, framed in lines of red plastered bricks, contain painted designs showing guldastas. Originally within the burial chamber are two elegent sarcophagi of sienna coloured marble inlaid with white marble inscription , which are now lost.
Tomb of Haji Jamal is close to the tomb of Muhammed Momin. This tomb was raised over the mortal remains of Haji Jamal, a pupil of Ustad Muhammed Husseini, the tambura player, towards the close of Emperor Shah Jahan’s regin. The two lined inscription engraved on the entrance gate of the tomb refers to its bing the tomb of Haji Jamal and gives a date of AH 1067 ( AD 1657). It stands in the middle of the square platform, paneled on all sides with deep recesses concealing two flight of steps on each side. Each of the four faces have octagonal recesses covered by pointed archs. The southern one gives access to the burial chamber while the remaining ones are closed with pierced tracery screens. Its inner chamber is octagonal where as the outer plan is square having octagonal turrets surmounted with domed cupolas added to the corners. A bulbous dome crowned with pinnacle sits over a high drum and is balanced by the four cupolas crowning the turrets at the cornor. The façade is divided into red stucco covered brick framed panels and painted with white lines. The larger panels are filled with flower pots and the smaller with geometrical designs. The broad belts between the panels are ornamented with diper designs in tiles of different colours. The octagonal towers and the battlements as well as the pinnacles of the domes are ornamented with glazed tiles. (Notification no. 4687 dated 18-02-1919 Archaeological Survey of India, Chandigarh Circle)
On the west of the tombs is a gateway said to have been built in A.D.1667. There is another smaller gateway on the east, now in ruins. To the north is a tank, the bricks of which were largely used in the building of Nakodar Cantonment, on one side of it is a summer house, now used as the Sub-Judge-cum-Judicial Magistrate's Court. Beyond the tank is Baradari containing the shrine of Bahadur Khan who died during the reign of Jahangir, and also an old mosque which is now in a dilapidated condition.
Dakhni sarai is one of the finest and best preserved specimens of mughal caravan sarais built along the old highway. It stand in the village Dakhni (31.10' N; 75.25' E) on the Nakodar- Kapurthala road, about 12 km from Nakodar. The sarai is said to have been built by the well known Mughal noble Ali Mardan Khan during the reign of Mughal emperor Shah Jahan about AD 1640. It comprises of one hundred & twenty four cells around a closed quadrangle with two imposing gateway in the centre of the eastern and western quadrangle. Inside the quadrangle is a mosque and a well. The half dome portal of which is decorated with glazed tiles while its interior contains painted motifs over lime plaster. The wall closing the sarai on the outside at the four corners are strengthened by circular bastion. The three storyed facade of the gateway shows recesses and openings on either side, the smaller one being closed with finely pierced tracery screens in red sandstone. The gateway projecting out of the wall is strengthened with octagonal towers, crowned with domical cupolas. The arch spandrels and panels framing the central arch and side openings are decorated with glazed tile-work showing geometrical and floral designs. (Notification no. 4687 dated 18-02-1919 Archaeological Survey of India, Chandigarh Circle)
The Mughal Bridge is to the south of the village Mahlian Kalan on Nakodar- Kapurthala road, obout 12 km from Nakodar. This is one of the extant Mughal bridge built during the reign of Shah Jahan (AD 1627-1658 ) . The bridge spanned the Dhauli-veni river to the east of the Dakhni Sarai. It is of Lakhauri bricks and has five arched spans, the central begin the highest and other four in receding order. ( Notification no. PN, 16721 dated 04-06-1923 Archaeological Survey of India, Chandigarh Circle)
Nurmahal is due to the fostering of Nur Jahan (after whom it is named), the consort of Emperor Jahangir(1605-1627 A.D) and who is said to have been brought up here. She had the imperial serai constructed by Nawab Zakariya Khan Governor of the Doab between 1619 and 1621 A.D and settled numerous families in her new town. In 1738-1739 Nadir Shah exacted a ransom of three lakhs of rupees" from Nurmahal, which seriously injured its prosperity. "In 1756-1757 Ahmad Shah demanded a like sum and the people being unable to pay he ordered them to be slaughtered and plundered, and burnt the town". Almost immediately afterwards the Punjab independent of Delhi and Nurmahal was seized by the Ahluwalia Sikhs and was held for the Kapurthala Chief by Sirdar Kaur Singh and his descendants. It would seem as if before this the Talwan Rujputs had taken possession of the town. They subsequently on the final invasion of Ahmad Shah recovered the serai. The west gateway of this building was restored at public expense during the British rule towards the close of the nineteenth century.
The sarai is remarkable specimen of oriental architecture. The serai is maintained as a protected monument by the Archaeological Department. This closed quadrangle consists of onr hundred forty cells on all over the four sides, two gateway placed in the central of the eastern and western wings. and double storeyed pavilions in the centre of the northern and southern wings, two storied octagonal tower having three cells on the basement at the corners; a well and a mosque with in the quadrangle. of the two gateways, the eastern on is simple while the western one is ornamented. The gateway comprising guard rooms on either side of a central passage and projecting out has casing of red sandstone. The sliced outer angles are relieved with arch recesses placed one over other. The whole facade is divided in to panels, ornamented with sculptures in bas-relief and foliated scroll work with birds sitting in branches. The arched opening of the entrance is encased with in a bigger arch and its spandrels being decorated with lotus medalions. on either side of the spandrels are placed projecting domed balconies supported on four pillars topped with carved brackets. The space in between the pillars is closed with low stone railings showing fine pierced tracery work. To the corner of the gates are added guldastas which rise above the battelments of the tarrace. (Notification no. 4687 dated 18.02.1919 Archaeological Survey of India, Chandigarh Circle)
Ancient site ( Theh Ghatti), Nagar (Jalandhar): The village Nagar ( 31" 05' N, 77" 50'E) is situated about 9 km north-east of phillaur with a threefold sequence of culture. Period 1 is represented by the painted Grey ware with sprinkling of the late Harappa sturdy red ware. Semi-circular huts and two ovel structures of burnt earth, probably of religious nature, have been noticed. copper objects, bone styli, terracotta ear-ornaments and animal figures, besides beads and bangles, have been found. Period II has the typical Kushan pottery, terracottas and coins. A terracotta seal reads " sri-mahasenapati -Ramaguptasya' in characters of third century is an important discovery. In period III there was a prosperous mediival occupation. (Notification of 1954 dated 02.01.1954 Archaeological Survey of India, Chandigarh Circle)
Ancient site, Katpalon (Jalandhar): The ancient site in the village Katpalon (31' 05' N; 75' 52' E) about 7 km east of phillaur and it was excavated by the survey in 1976-77. In period I the painted Grey ware was found interlocked with the late Harappan pottery. Copper antimony road and terracotta beads and wheela are the other main finds. This was followed after a break by period II, kushna. In period III, medieval, the strata are much disturbed by pits. ( Notification no. 4/7/67-CA/(1) dated 05.03.1968 Archaeological Survey of India, Chandigarh Circle)